基于《髹饰录》的徽州髹饰技法研究  

Research on Huizhou Painting Techniques Based on Xiushilu

作　　者：陈厚娟[1] 陈文苑 Chen Houjuan;Chen Wenyuan

机构地区：[1]黄山学院艺术学院 [2]安徽医科大学人文学院,安徽黄山245041

出　　处：《滁州学院学报》2022年第4期36-41,共6页Journal of Chuzhou University

基　　金：黄山学院徽州文化类重点科研项目“《髹饰录》解说研究”(2021xhwh002);安徽省社科联创新发展研究课题“‘徽州三雕’文化基因识别与萃取”(2021CX153)。

摘　　要：《髹饰录》是明代徽州人黄大成著述的一部有关传统髹饰技法的专著,是我国现存唯一一部古代漆工艺书籍。借助《髹饰录》相关记载,分析徽州漆器髹饰五大技法的工艺流程,梳理徽州漆器髹饰技艺的技法门类与发展特点.通过“利用第一,楷法第二”的髹饰工则,进而了解徽州漆工的髹饰理念,从而促使人们对当时徽州髹饰工艺的历史和发展状况有更深了解,有利于徽州漆器髹饰技艺在中国漆艺发展传承脉络中地位的确立。基于《髹饰录》的徽州漆器髹饰技法研究,对于更好地保护与传承徽州传统髹饰技艺具有重要意义。Xiushilu is a monograph on traditional lacquering techniques written by Huang Dacheng in the Ming Dynasty.It is the only existing ancient lacquer craft book in China.With the help of the relevant records in Xiushilu,this paper analyzes the process flow of the five techniques of Huizhou lacquer painting and decoration.Through the painting principle of“use first,regular script second”,we can understand the painting concept of Huizhou lacquer workers,so as to promote people to have a deeper understanding of the history and development of Huizhou painting technology at that time,which is conducive to the establishment of the status of Huizhou lacquer painting technology in the development and inheritance of Chinese lacquer art.The research of Huizhou lacquerware based on the painting records is of great significance to better protect and inherit the traditional painting techniques of Huizhou.

关 键 词：徽州 髹饰技法 《髹饰录》 

分 类 号：J213.9[艺术—美术]