基于技术意义的武术文化生产  

Technique-Meaning-Based Cultural Production of Wushu

作　　者：刘文武[1] 徐小良 赵泽浩 朱东 韩丽云[1] LIU Wenwu;XU Xiaoliang;ZHAO Zehao;ZHU Dong;HAN Liyun(School of Martial Arts,Shanghai University of Sport,Shanghai 200438,China;Guwuxuan Publishing House,Suzhou 215123,Jiangsu,China)

机构地区：[1]上海体育学院武术学院,上海200438 [2]古吴轩出版社,江苏苏州215123

出　　处：《上海体育学院学报》2022年第11期51-60,共10页Journal of Shanghai University of Sport

基　　金：国家社会科学基金青年项目(16CTY019);上海市科学技术委员会资助项目(19080503200)。

摘　　要：武术文化始终呈流动性态势,因被不同时代的人们生产和消费其内容不断更新。基于文化生产理论,以对武术技术意义的本体诠释为基础,从前提、实践、使命三方面阐述基于技术意义的武术文化生产。认为:作为对武术技术动作的规范,技法是武术“练”与“打”的理论基础,对技法的深刻把握是认知武术技术、发掘技术意义的前提;文化资本积累、武打影视实践、教育与研究构成了武术文化生产的主要领域;武术技术意义是武术文化生产的核心。Wushu culture has always been mobile in the long history,as it keeps upgrading by people's generating and consuming its content in different eras.Based on cultural production theory,the cultural production of Wushu is tried to explore in the three aspects of premise,practice and goals.It is shown that techniques,which are taken as the standard of technical movements in Wushu,should be highlighted to be the basis of"practice"and"combat",therefore a deep understanding of techniques is the premise of recognizing technical meaning of Wushu,cultural capital,Wushu film and television practice,as well as the education and research constitute the main fields of cultural production of Wushu,and the technical meaning forms the core of cultural production of Wushu.

关 键 词：武术 技术意义 文化生产 攻防 技法 文化资本 武打影视 

分 类 号：G852[文化科学—民族体育]