汪立三《小奏鸣曲》曲式结构及演奏要点探讨  

Form Structure and Performing Points in Wang Lisan’s Sonatina

作　　者：龚晓妍 Gong Xiaoyan(School of Education and Art,Ningde Normal University,Ningde 352100,China)

机构地区：[1]宁德师范学院教育与艺术学院,福建宁德352100

出　　处：《黑河学院学报》2022年第9期141-143,共3页Journal of Heihe University

摘　　要：汪立三先生的《小奏鸣曲》是我国民族音乐钢琴作品的代表之一,《小奏鸣曲》精妙的曲式结构及复杂的演奏要点,在钢琴创作者的创作及练习中具有重要借鉴作用。通过探析可知,《小奏鸣曲》的曲式结构具有多元性,其三个乐章分别是奏鸣曲式结构、单三部曲式结构以及复合三部曲式结构;在整体乐章演奏中,踏板、触键以及连线的使用频繁且演奏难度较大,通过细致剖析踏板、触键,以及连线的演奏要点,深入理解《小奏鸣曲》的演奏。Mr.Wang Lisan’s Sonatina is one of the representatives in Chinese folk music piano works.Sonatina has exquisite form structure and complex performance points,providing important reference for creators in creating and practicing piano works.Through analysis,it can be seen that Sonatina has diversifi ed composition structures with three movements of sonata-type structure,single trilogy structure and compound trilogy structure respectively.In the performance of the whole movement,pedals,touching keys and connecting lines are frequently used with great performing difficulties.Through a detailed analysis of the key points of pedals,touching keys and connecting lines,we can understand the performance of Sonatina in-depth.

关 键 词：汪立三 《小奏鸣曲》 曲式结构 演奏要点 

分 类 号：J624.1[艺术—音乐]