《毛诗故训传》的修辞观研究  

A Study on the Rhetoric View of Mao Shi Gu Xun Zhuan

作　　者：李超[1] 郝继东[1] LI Chao;HAO Jidong(School of Literature,Shenyang Normal University,Shenyang Liaoning,110000,China)

机构地区：[1]沈阳师范大学文学院,辽宁沈阳110000

出　　处：《文化创新比较研究》2022年第29期50-54,共5页Comparative Study of Cultural Innovation

摘　　要：《毛诗故训传》对《诗经》的注解是多方面的,其中一个重要的方面就是说明《诗经》中的修辞:除了标出“兴”体外,《毛传》还指出了比喻、模状、避复、倒文、讽刺、指代、镶嵌、连类而及等多种修辞格,以及词类活用这种类修辞格,体现了战国末年训诂学家的朴素修辞观念,反映了这一时期修辞研究的基本面貌。The annotation of Mao Shi Gu Xun Zhuan to The Book of Songs in various.One of the important aspects is to explain the rhetoric in The Book of Songs:In addition to marking“xing”,Mao Zhuan also pointed out a variety of figures of speech,such as metaphor,mold,avoiding repetition,inversion,irony,reference,inlay,the using of joint category and so on,and the flexible use of this kind of figures of speech,which reflects the simple rhetoric concept of exegetics in the late Warring States period and reflects the basic appearance of rhetoric research in this period.

关 键 词：《毛诗故训传》 《诗经》 修辞 训诂 

分 类 号：H15[语言文字—汉语]