试探“扶桑”意涵在唐诗中的流变——以杜甫和李白诗歌为中心  

On the New Changes in the Meaning of“Fusang”in Tang Poems--With Poems of Du Fu and Li Bai as the Center

作　　者：杨为刚[1] 杜婷 YANG Wei-gang;DU Ting

机构地区：[1]汕头大学文学院,515063

出　　处：《杜甫研究学刊》2022年第4期85-93,共9页Journal of Du fu Studies

摘　　要：“扶桑”始见于《山海经》,本义为“屹立于东方的太阳神树”。至唐代,“扶桑”作为文学意象大量见于唐诗中,且承载了更为多样的意涵。以杜甫、李白诗歌为代表,“扶桑”在唐诗中体现出“政治隐喻”“道教仙树”“代指日本、新罗等东方某地”等诸多意涵,从中亦可窥见唐朝重视事功、崇尚道教、对外开放等社会风貌。以李杜诗歌为中心,可清楚显示出“扶桑”意涵在唐诗中发生的流变,亦将对研究上古神话元素在后世文学书写中的沿革有所助益。First appeared in Shanhaijing, "Fusang " takes its original meaning as "the sun god tree standing in the east".By the Tang Dynasty, "Fusang" as a literary image was widely seen in Tang poetry,and carried more diversified meanings.Represented by the poems of Du Fu and Li Bai, "Fusang" in Tang poetry embodies many meanings such as a political metaphor,the Taoist fairy tree,a place in the East China Sea or Japan or Silla,etc.,from which one can also see the social style of the Tang dynasty,such as attaching importance to merit,advocating Taoism and opening to the outside world.The new changes in the meaning of "fusang" in Tang poetry can be seen in poems of Du Fu and Li Bai,which will also be useful for studying the evolution of ancient mythological elements in later literary writing.

关 键 词：扶桑 政治隐喻 道教仙树 

分 类 号：I207.22[文学—中国文学]