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作 者:GUO Dasong MI Dengxing CUI Zhixiang
机构地区:[1]School of Design,Nanjing University of the Arts,Nanjing,Jiangsu 210013,China [2]Tianshui Ting Yuan Engineering Design Co.,Ltd.,Tianshui,Gansu 741020,China [3]School of Architecture and Urban Planning,Shenzhen University,Shenzhen,Guangdong 518060,China
出 处:《Journal of Landscape Research》2022年第5期93-96,共4页景观研究(英文版)
基 金:the under grant of the Priority Academic Program Development of Jiangsu Higher Education Institutions(PAPD)。
摘 要:Since the Wei,Jin,Northern and Southern Dynasties(220-589),the purpose of the construction of the garden had gradually transformed from the land of crops production to the site of aestheti c pleasure.The painting theory and practice based on nature have had an important influence on garden bui lding activities.The article analyses their relationship in four aspects:the artistic design of nature themed spa ce,the application of plants in composing landscape,the symbiosis of the Shan and the Shui,and the intera ction between mountains and rivers in the overall space.
关 键 词:Traditional painting Classical garden making Nature interpenetration
分 类 号:J205[艺术—美术] TU986[建筑科学—城市规划与设计]
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