鬼魅狂欢节——论梁鸿长篇小说《四象》的对话性特征  

Carnival of GhostsOn—— the Dialogic Characteristics of Liang Hong’s Novel Four Images

作　　者：方绍骞 Fang Shaoqian(School of Humanities,Zhejiang Normal University,Jinhua 321000,China)

机构地区：[1]浙江师范大学人文学院,浙江金华321000

出　　处：《台州学院学报》2022年第5期43-47,共5页Journal of Taizhou University

摘　　要：梁鸿在长篇小说《四象》中引入了构成对话的诸多声音,赋格文本的内在调性,从而构建起三个层面的对话性艺术特征:独白中的对话、主体间的对话与文本间的对话。在此之中,梁鸿着意于诸意识的平等与可能性的展示,她拒绝定论,构建了一个“未完成”的可能性世界。Liang Hong has introduced many voices that constitute dialogue and the inherent tonality of the fugue text in his novel Four Images, thus building up three levels of dialogic artistic features:dialogue in monologue, dialogue between subjects and dialogue between texts. In this process, Liang Hong has paid attention to the display of equality and possibility of all kinds of consciousness. She has refused to make a conclusion, trying to construct an "unfinished" world of more possibilities.

关 键 词：梁鸿 《四象》 对话性 复调小说 

分 类 号：I207.425[文学—中国文学]