论曲剧《鲁镇》的戏曲现 代化探索  

The exploration of Chinese opera modernization in the Qu Opera Lu Town

作　　者：李娜[1] Li Na(College of Drama and Film,Shenyang Conservatory of Music,Shenyang 110818,China)

机构地区：[1]沈阳音乐学院戏剧影视学院,辽宁沈阳110818

出　　处：《辽宁师范大学学报（社会科学版）》2022年第6期131-137,共7页Journal of Liaoning Normal University(Social Science Edition)

基　　金：辽宁省教育厅科学研究经费新型智库项目“‘后全球化’时代:戏剧影视学科的进程与前景研究”(2020SYK01)。

摘　　要：戏曲现代化是戏曲艺术的一次当代文化突围,它包含戏曲本体化和品格现代 化两个核心面向,是向戏曲艺术本体回归与对现代性接纳的双向融合。新时代的文化语境之下,曲剧《鲁镇》在戏曲现代化方面做出了有益的尝试,它从戏 曲文本和舞台表现两个方面努力探索戏曲艺术本体与现代性的融合与再建构。在戏曲创作的文学性回归、对人的关注和人性的开掘、戏曲传统美学思想与现 代审美理念的融合、戏曲舞台样式的创新等方面完成了戏曲艺术与现代文化的对话与博弈,为戏曲现代化提供了成功的实践经验和广阔的创作视域。The modernization of traditional Chinese opera is a contemporary cultural breakthrough,which includes two core aspects of dramatization and modernization.It is a two-way integration of returning to the noumenon of traditional Chinese opera and accepting modernity.In the cultural context of the new era,Lu Town has made a useful attempt in the modernization of traditional Chinese opera.It tries to explore the integration and reconstruction of the noumenon of traditional Chinese opera and modernity from two aspects of traditional Chinese opera text and stage performance.It has completed the dialogue and game between opera art and modern culture in the aspects of the literary return of opera creation,the concern for people and the exploration of human nature,the integration of traditional opera aesthetic ideas and modern aesthetic concepts and the innovation of opera stage styles,which has provided successful practical experience and a broad creative vision for the modernization of opera.

关 键 词：曲剧 《鲁镇》 戏曲现代化 现代性 戏曲改编 

分 类 号：J82[艺术—戏剧戏曲]