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作 者:田湉 TIAN Tian(School of Design,Hunan University,Changsha 410006,China)
出 处:《北京舞蹈学院学报》2022年第4期68-77,共10页Journal of Beijing Dance Academy
基 金:2019年度国家社科基金艺术学重大项目“当代中国舞剧的历史脉络、创作实践与发展态势研究(1949—2019)”(项目编号19ZD17)子课题“当代中国舞剧的发展态势与正向引导研究”。
摘 要:普遍认知的“舞蹈剧场”,指的是20世纪下半期在德语区形成的舞蹈艺术形式,20世纪80年代由皮娜·鲍什(Pina Bausch)将舞蹈剧场推向高潮。文章以中国舞蹈剧场近三十年来的创作实践为脉络,以正在进行着舞蹈剧场艺术实践的舞团、独立编舞及其代表作品为研究对象,对中国舞蹈剧场实践进行历时分期;在梳理相关及对其理论文献整理研究的基础上,提炼出中国舞蹈剧场独有的特征;并尝试归纳出中国舞蹈剧场较为突出的几种风格走向:地域文化基因的舞蹈剧场、社会问题意识的舞蹈剧场、古典意蕴的舞蹈剧场、身体探索的舞蹈剧场、素人舞蹈剧场等。在形式上,中国舞蹈剧场正不断尝试不同的媒介创作手段,尤其是影像技术的参与和介入,成为中国当代舞蹈剧场的重要标识。通过分析中国舞蹈剧场的创作风格、形式探索及其审美趋势,以期为中国舞蹈剧场的创作提供思路。The commonly known “dance theatre” refers to the dance form in the German-speaking areas in the second half of the 20 th century,and it reached the climax in the 1980 s by Pina Bausch.In the context of creation practice of dance theatre in China in the past 30 years,this paper takes the dance troupes,independent choreographers,and their representative works that are carrying out the artistic practice of “dance theatre” as the research object,and divides the dance theatre practice in China into diachronic stages.By reviewing relevant theoretical and literary documents,it extracts the unique characteristics of dance theatre in China:there is a transformation between dance drama and dance theatre;the main creators of dance theatre are independent dancers with independent consciousness.It also tries to summarize several prominent style trends of dance theatre in China:dance theatre with regional cultural factor,awareness of social problem,classical implication,body exploration,and ordinary people,etc.In terms of form,dance theatre in China is being permeated with different media creation means,especially the participation and intervention of imaging technology,which has become an important symbol of contemporary Chinese dance theatre.The paper discusses its creation style,form exploration and aesthetic trend,in order to provide ideas for the creation of dance theatre in China.
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