论何梦瑶的诗歌艺术风格及影响  

On the Artistic Style and Influence of He Mengyao’s Poetry

作　　者：郭子凡 GUO Zi-fan

机构地区：[1]华南师范大学文学院,广东广州510006

出　　处：《五邑大学学报（社会科学版）》2022年第4期36-40,91,共6页Journal of Wuyi University(Social Sciences Edition)

基　　金：广东省普通高校创新团队项目“清代文学与大湾区文化底蕴发掘与研究”(批准号:2020WCXT D005)的部分成果。

摘　　要：“惠门八子”的诗歌风貌可以看作是康乾时期粤东诗风的一个缩影,而“八子”中又以何梦瑶为诗歌方面的佼佼者。何梦瑶之诗善于多形式地采借前人诗句,并以白居易、陆游、苏轼一派的清雅诗风为所尚,在运用上讲究形式和技巧,富有创新性。在岭南一隅的“江山之助”下,何梦瑶的组诗创作灵活地运用了蝉联体式,饶有地域风味。而他从惠士奇身上所师承的“软宋诗”风貌,一方面让他得到了杭世骏的赏识,从而拓宽了交友圈和知名度;另一方面更是拉开了粤诗风由唐近宋的帷幕,推动了粤东传统诗学的构建。The poetic style of“ Eight Sons of Huimen” can be regarded as an epitome of the poetic style in eastern Guangdong during the period of Kangxi and Qianlong,and He Mengyao was the outstanding one among them.He was good at drawing on the poems of his predecessors in many forms,particularly the elegant poetry style of Bai Juyi,Lu You and Su Shi .He paid attention to the application of form and skill,and was very innovative.By virtue of the mountains and rivers in the Lingnan region,He’s poetic compositions flexibly adopted the Chanlian style,which had a regional flavor.On the one hand,the style of“ soft Song poetry” that he learned from Hui Shiqi made him appreciated by Hang Shijun,thus broadening his circle of friends and increasing his popularity;on the other hand,it lifted the curtain of Cantonese poetic style transitioning from Tang to Song styles and promoted the construction of traditional poetics in eastern Guangdong.

关 键 词：何梦瑶 诗歌 艺术风格 影响 

分 类 号：I207.22[文学—中国文学]