论王昌龄对盛唐离别诗创作传统的悖离与新创  

Wang Changling’s Innovation of the Creation of Farewell Poems in the Flourishing Period of the Tang Dynasty

作　　者：吴昌林[1] 刘泓希 WU Changlin;LIU Hongxi(School of Humanities and Social Sciences,East China Jiaotong University,Nanchang 330013,China)

机构地区：[1]华东交通大学人文社会科学学院,江西南昌330013

出　　处：《中北大学学报（社会科学版）》2022年第6期101-105,112,共6页Journal of North University of China：Social Science Edition

基　　金：江西省社科规划项目:文学地理学视域下盛唐丝绸之路诗歌研究(20WX10);江西省2021年度研究生创新资金专项资金项目:探新疆诗歌美景,助旅游经济腾飞(YC2021-S427)。

摘　　要：盛唐时期,离别诗体式已臻于成熟,王昌龄一反主流,放弃已经程式化的离别诗创作传统:在诗歌体式上,悖离主流中具有应酬性的律体诗,转而大量使用短篇绝句和长篇古诗抒写离别真情;在叙景手法上,悖离“沿路叙景”的“隔离”功能,形成了个性化的“临水意境”叙景程式;在意象营造上,发展了“月”意象的联结性,帮助双方情感沟通。王昌龄作写诗离别,纯以一片冰心,毫无应酬,又出于诗人的自觉,避免与人雷同,努力探索出个人创作风格。Farewell poems became mature in the heyday of the Tang Dynasty. Different from the mainstream of poetical creation, Wang Changling innovated the creation of farewell poems. In terms of poetic style, Wang Changling used a large number of Jueju and long poems to express the sincere feeling of farewell, which is different from the rhythm poems used for social interactions. In terms of narrative techniques, he employed the unique narrative techniques to stress his conception of water rather than his scenery narratives. In terms of image construction, he highlighted the relevance of the images of the moon and helped the communication of feelings. Wang Changling’s farewell poems reflect his genuine feelings and consciousness and show his efforts to innovate his styles of poem creation.

关 键 词：王昌龄 盛唐离别诗 创作传统 悖离 

分 类 号：I207[文学—中国文学]