溢出与回归:《枣》中的异质性景观与“混血”体验  

Overflow and Return:Heterogeneous Landscapes and Mixed-blood Experiences in Natsume

作　　者：刘晓芳[1] 孙萌 Liu Xiaofang;Sun Meng

机构地区：[1]同济大学外国语学院,上海200092

出　　处：《东北亚外语研究》2022年第4期42-53,共12页Foreign Language Research in Northeast Asia

基　　金：2018年度同济大学智库与学术影响类文科交叉项目“日本文学中的病理书写与治疗因子研究”(1100219153)的阶段性成果。

摘　　要：《枣》是日本作家汤浅克卫根据其在朝鲜的成长经历所描绘出的一幅偏离“大东亚一体化”宏大叙事的异质性景观。作者从针对日本殖民主义暴力性的批判范式中跳脱出来,成功开辟了政治地理学视域中“内地”与“外地”的空间分界线。本文以嫁入朝鲜的日本“内地”女性为切入点,通过对该女性日本国民身份的“剥离”、以身体降格为代价的“逃离”事实背后所隐含的日本殖民主义意识形态弊病的发掘,揭示该女性与朝鲜男性的混血儿后代身体的异质性,剖析“溢出者”混血儿的身份认同焦虑及其进行自我定位的一系列尝试。聚焦“日鲜一体”这一特殊历史时期的异质性个体,不仅呈现出了一个充满悖论与张力的殖民地空间,而且建构出了在同质化的“日鲜一体”政策之下被隐匿的边缘语境。In Natsume,the Japanese writer Yuasa Katsue depicts a“heterogeneous landscape”that deviates from the grand narrative of“East Asian Integration”.Based on his actual experience in Korea,the writer constructs a marginal context hidden under the homogenized policy of“Integrating the Imperial Japan and Korea”.Besides,taking the Japanese“inland”woman who married into Korea as the starting point,he reveals the“stripping”of the woman’s“Japanese identity”and her“escaping”at the expense of physical degradation in the published text,which is in fact an accusation against the implicit malpractice of Japanese colonial ideology.And then,through the“heterogeneity”of the body of the woman and her Korean husband’s mixed-blood offspring,the writer analyzs the connotation of the label“stigmatization”that the Japanese and Korean mixed-blood child bears,as well as his identity anxiety as a“spillover”and attempts of self-positioning.Focusing on the heterogeneous individuals of the special historical period of“Integrating the Imperial Japan and Korea”,the novel not only presents a colonial space full of paradoxes and tensions,but also constructs a marginal context that is hidden under the homogenized“Integrating the Imperial Japan and Korea”policy.

关 键 词：《枣》 “日鲜一体” 混血儿 身体 自我 

分 类 号：I106[文学—世界文学]