抵抗与重组——组诗《楚声》写作中的现代性转换  

Resistance and Restructure:Transformation of Modernity in the Sequence Chusheng

作　　者：路云 LU Yun(School of Chinese Language and Literature,Hunan Institute of Science and Technology,Yueyang 414006,China)

机构地区：[1]湖南理工学院中国语言文学学院,湖南岳阳414006

出　　处：《云梦学刊》2022年第6期110-116,共7页Journal of Yunmeng

摘　　要：从楚文化传统中汲取营养并创作出优秀的现代性诗歌,需要在一种抵抗的观念之下不断重组出新的写法,这是诗歌现代性转换的关键所在。诗人刘创对此有持续深入的思考和清醒认知,他的楚文化系列诗直接将香草美人的写作传统还原到当下的生活场景之中,借助洞察、对话以及戏剧性独白等写作手法重组为新的表达,创作出一组有明确主题思想的现代性诗歌。To draw inspirations from the Chu cultural tradition and create excellent modern poetry,we need to constantly restructure new writing methods with a concept of resistance,which is the key to the transformation of modernity.The poet Liu Chuang has had continuous thinking and sober cognition about that.His series of Chu culture poetry writing,which directly restored the writing tradition of vanilla beauty into specific current life scenes,restructured into new expression with insight,dialogue and dramatic monologue,thus creating a set of modern poetry with clear theme.

关 键 词：抵抗 重组 现代性转换 刘创 

分 类 号：I207.25[文学—中国文学]