启蒙的乡愁——《故乡》与乡土文学的文化政治  

Enlightening Homesickness:Hometown and the Cultural Politics of Local Literature

作　　者：林秀 LIN Xiu(Institute of Literature,Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《河北师范大学学报（哲学社会科学版）》2022年第6期99-105,共7页Journal of Hebei Normal University(Philosophy and Social Sciences)

基　　金：国家社会科学基金重大项目“问题哲学理论前沿与理论创新研究”(项目编号:18ZDA026)。

摘　　要：鲁迅的小说《故乡》是中国现代文学史上的经典之作,几十年来研究者众多。在现代性视野中,以乡愁为入口,重新解读这篇小说,是一项有趣且有意义的工作。小说里呈现出三个层面的故乡,每一重故乡都是被建构起来的。在三者的复杂关系中,乡愁通过“故乡”“农民”“少年”等意象逐渐被想象出来。想象乡愁的同时,五四的启蒙主义也暴露出了种种矛盾和悖论。Lu Xun’s novel Hometown is a classic in the history of modern Chinese literature,which has attracted many researchers for decades.From the perspective of modernity,it is an interesting and valuable work to re⁃interpret this novel in terms of homesickness.The novel presents three levels of hometown,each of which is conceived.In the complex relationships among the three,homesickness is gradually envisioned through such images as“hometown,”“farmers”and“boys.”The contradictions and paradoxes of the enlightenment of the May 4th Movement are also exposed in the conjuring of homesickness.

关 键 词：乡愁 “故乡” “农民” “少年” 启蒙主义 

分 类 号：I206[文学—中国文学]