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作 者:金传胜 吴竹修 JIN Chuan-sheng;WU Zhu-xiu(College of Humanities,Yangzhou University,Yangzhou,Jiangsu,225009,China)
出 处:《盐城师范学院学报(人文社会科学版)》2022年第6期102-108,共7页Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
基 金:国家社会科学基金青年项目“现代作家演讲文献整理与研究(1912—1949)”(22CZW048)。
摘 要:田汉1929年在广州中山大学、上海中国公学、南京某中学的三篇演讲,既未收入花山文艺出版社2000年版《田汉全集》,亦未收入张向华《田汉年谱》。这三篇演讲从不同面向呈现了田汉对“戏剧与民众”“艺术与时代”关系所作的思考,体现了“向左转”之前田汉文艺观念在不断冲突折返、自我调适中最终完成“奥伏赫变”(自我扬弃)的过程。The three speeches made by Tian Han in Sun Yat-sen University in Guangzhou,China Public University in Shanghai and a middle school in Nanjing in 1929 are neither included in the Complete Works of Tian Han published by Huashan Literature and Art Publishing House in 2000 nor recorded in Zhang Xianghua’s Chronology of Tian Han.These three speeches present his reflection on the relationship between“drama and the people”and“art and the times”from different aspects.They also reveal the process of“aufheben”(self-sublation)of Tian Han’s thoughts on literature and art,after his constant conflicts and self-adjustment before“turning left”.
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