论“第三代”诗歌的叙事化倾向  

On the Narrative Tendencies of“the Third Generation”Poetry

作　　者：于翠梅 吕周聚 YU Cui-mei;LYU Zhou-ju(School of Literature and Journalism,Qingdao University,Qingdao 266071,China)

机构地区：[1]青岛大学文学与新闻传播学院,青岛266071

出　　处：《山东青年政治学院学报》2022年第6期93-100,共8页Journal of Shandong Youth University of Political Science

基　　金：国家社会科学基金项目“百年中国文学思潮中的美国因素研究”(19BZW097)。

摘　　要：“第三代”诗歌的创作具有明显的叙事化倾向。“第三代”诗人摒弃了对政治、历史、文化等宏大题材的呈现,将诗歌写作转向了微小的日常生活琐事的叙述,他们在小人物的日常生活琐事里书写个人的生活经验与生命体验。相比于政治抒情诗来说,“第三代”诗歌的叙述视角显示出外向化的特点:从“大我”抒情向“小我”叙事转化,从内在的情感向外在的生活转换。此外,“第三代”诗人运用对话式的诗句结构进行戏剧化的诗歌写作,不做主观评价地记录个人的日常生活事件,在诗歌里做片段的场景描述,因而其叙事化的诗歌写作还表现出情感上的零度化。“第三代”诗歌的叙事化倾向一方面代表了中国当代诗歌发展的转型,另一方面与新写实主义小说的创作潮流一起引领了中国当代文学发展的转向,共同推进了中国文学从宏大叙事向日常生活书写的转变。“The third generation”poetry has a clear narrative tendency.“The third generation”of poets abandoned the presentation of grand themes such as politics,history,and culture,and turned their poetry writing to the narrative of daily life trivia,and they wrote personal life experience of nobodies.Compared with political lyric poetry,the narrative perspective of“the third generation”poetry shows the characteristics of extroversion:from the Mabatma lyric to the“personing”narrative,from the inner emotion to the external life.In addition,“the third generation”of poets imitate the dialogue structure of drama to create poetry,record the events of individual daily life without subjective evaluation,and describe the scenes of fragments in the poem,so their narrative poetry writing also shows zero emotionally.On the one hand,the narrative tendency of“the third generation”poetry represents the transformation of the development of contemporary Chinese poetry;on the other hand,together with the new realistic novels,it has led the turn of the development of contemporary Chinese literature,and jointly promoted the transformation of Chinese literature from grandiose narration and history writing to daily life writing.

关 键 词：“第三代”诗歌 叙事化 日常生活化 外向视角 零度抒情 

分 类 号：I206.7[文学—中国文学]