电影与小说的融通--论罗伯-格里耶的电影小说  

The Integration of Film and Fiction:a Case Study of the Film Novels of Alain Robbe-Grillet

作　　者：彭婷婷 PENG Ting-ting(School of Foreingn Studies,Hunan Normal University,Changsha,Hunan 410081)

机构地区：[1]湖南师范大学外国语学院,湖南长沙410081

出　　处：《湖南第一师范学院学报》2022年第5期90-96,共7页Journal of Hunan First Normal University

基　　金：湖南省教育厅科研基金项目“法国‘新小说派’作家罗伯-格里耶研究”(18C0011)。

摘　　要：作为法国“新小说”流派的奠基人,罗伯-格里耶(AlainRobbe-Grillet)在小说领域完成了近十年的反叛性创作后,开始将目光转向更具实验性的电影小说。电影小说因其极度物化、客观的叙事手法,以及大量台词对白与电影拍摄术语的融入,使得学界对其文学属性提出了质疑。本文将结合罗伯-格里耶前、中、后期创作的四部电影小说,分析其电影小说创作理论的演变过程,探究作者是如何将“新浪潮”电影与“新小说”文本有机融合,创作出兼具“电影性”与“文学性”的电影小说。Alain Robbe-Grillet,the founder of the French New Novel school,turned to more experimental film novel creation,after the creation of nearly a decade of“rebellious”new novels.Because of its extremely materialized and objective narrative techniques,as well as the integration of a large number of dialogues and film shooting terms,the academic circle has raised doubts on its literary attributes.This paper will take the four film novels written by Robbe-Grillet in his early.middle and later stage,analyze the evolution of his film novel creation theory,and ex-plore how the author integrated the“New Wave”film and“New Novel”fiction to create his film novels with both artistic features of“film”and“literature”.

关 键 词：罗伯-格里耶 新小说 电影小说 剧本 文学性 

分 类 号：I106[文学—世界文学]