剧本创作视角下的戏曲文本音乐性构建  

Musical Construction of Chinese Opera Text from the Perspective of Script Creation

作　　者：李娜[1] LI Na(College of Drama and Film,Shenyang Conservatory of Music,Shenyang 110818,China)

机构地区：[1]沈阳音乐学院戏剧影视学院,辽宁沈阳110818

出　　处：《信阳师范学院学报（哲学社会科学版）》2022年第6期97-102,共6页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：辽宁省社科基金经济社会发展研究项目(20201SKTW22-065);辽宁省教育厅科学研究经费新型智库项目(2020SYK01);辽宁省教育厅科学研究重点攻关项目(2020SYZ01)。

摘　　要：戏曲是一门综合艺术。在戏曲文学剧本创作中,既有一般戏剧元素所具有的“故事”层面的创作,又蕴含了对以音乐性为代表的舞台表演的设计与呈现,这是戏曲艺术本体性得以完整实现的深层创作。以戏曲剧本创作为切入点,关注戏曲文本中音乐性特质,从戏曲文本中的音乐性语言、戏曲剧本的音乐性审美结构、不同剧种流派的戏曲剧本艺术特征等方面,对戏曲文本的文学性与以戏曲音乐为代表的舞台性的“双重美学建构”进行思考,探索当代戏曲剧本创作民族化和艺术化的审美创作路径,从而提升戏曲剧本创作的综合艺术水平。Chinese Opera is a comprehensive art.In the creation of its literary script,there is not only the creation of the common level of"story",but also the design and presentation of the stage performance represented by musicality,which is the deep creation of the complete realization of the ontology of Chinese Opera.By drama script creation as the breakthrough point,focus on the characteristic of Chinese Opera text,musical language,drama in the opera text musical aesthetic structure,different types and styles of the script of the script artistic features,etc.,the literariness of drama text and represented by opera music stage of"dual aesthetics construction",Explore the aesthetic creation path of nationalization and artistic creation of contemporary drama script,so as to enhance the comprehensive artistic noumenon of drama script creation.

关 键 词：戏曲文本 剧本创作 音乐性 

分 类 号：J804[艺术—戏剧戏曲]