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作 者:徐杰[1] XU Jie(School of Chinese Language and Literature,Southwest MinZu University,Chengdu,Sichuan 610041,China)
机构地区:[1]西南民族大学中国语言文学学院,成都610041
出 处:《城市学刊》2022年第6期75-81,共7页Journal of Urban Studies
基 金:教育部人文社会科学基金项目(17YJC751043)。
摘 要:网络诗歌以自然主义的姿态审视城市空间,它将“乡村”空间的存在视为精神与灵魂寄居的“本然”状态,故而其城市书写必然将其表征为一种现代性的原罪。城市空间与乡村空间的诗性对立往往被书写为现代文明与传统文化、技术文化与自然文化、商业文化与本真文化、成年文化与童年文化等之间的矛盾。城市空间是具有“弑母”倾向的“子体”空间,它以“资本”“欲望”和“技术理性”作为自己的表征。城市作为“草原”或“村落”的反面,以“破坏”原初纯粹状态为意象特征;城市文明与技术现代性的共谋割裂了人与自然之间天然的亲近感,使得当代人陷入灵魂空心化;城市空间与乡村生活的错位形成荒诞和悖论的书写方式。Chinese network poetry examines urban space with a naturalistic attitude.It regards"rural"space as the"natural"state where the spirit and soul reside.Therefore,its urban writing will inevitably represent it as a modern original sin.The poetic opposition between urban space and rural space is often written as the contradiction between modern civilization and traditional culture,technological culture and natural culture,commercial culture and authentic culture,adult culture and childhood culture.Urban space is a"child"space with a tendency of"mother-killing",which takes"capital","desire"and"technical rationality"as its own representation.As the opposite of"prairie"or"village",the city is characterized by the image of"destroying"the original pure state.The conspiracy of urban civilization and technological modernity splits the natural intimacy between man and nature,and makes contemporary people fall into hollow souls.The dislocation of urban space and rural life forms a writing mode of absurdity and paradox.
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