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作 者:赵东旭 ZHAO Dongxu(The Collaborative Innovation Center for Zhejiang Cultural Studies and Communication,Zhejiang International Studies University,Hangzhou,Zhejiang 310023,China)
机构地区:[1]浙江外国语学院浙江文化“走出去”协同创新中心,杭州310023
出 处:《城市学刊》2022年第6期82-89,共8页Journal of Urban Studies
基 金:浙江省哲学社会科学规划后期资助课题(23HQZZ29YB);浙江省教育厅一般科研项目(Y202148086);浙江外国语学院博达青年教师科研提升专项计划(2021QNZD1)。
摘 要:20世纪40年代,伴随着古典小说研究学术史的推进,中国文学史著中的古典小说研究进入成熟期。文学史家表现出古典小说研究的现代视野,他们普遍把唐传奇视为现代短篇小说的开端,关注章回小说的艺术价值,诸如写作形式、技巧、结构和描写手法等,并表现出自觉的文体意识,尝试梳理古典小说的文体演变脉络。同时,古典小说成为明清文学史的叙述重心,其章节设置和叙述方式也基本定型。文学史家对古典小说的文本阐释也予以极大深化。以刘大杰为代表的文学史家侧重于从现实主义视角解读小说,以林庚为代表的文学史家则从女性视角出发解读小说。In the 1940s,with the advancement of the academic research of classical novels,the study of classical novels in Chinese literary history entered the stage of maturity.Literary historians have shown a modern vision of classical novel.They generally regarded the legends of the Tang Dynasty as the beginning of Chinese modern short stories.They paid attention to the artistic value of chapter novels such as writing forms,techniques,structures,and description techniques,showing a conscious sense of style,and trying to sort out the evolution of the style of classical novels.At the same time,classical novels became the narrative focus of the literary history of the Ming and Qing Dynasties,and their chapter settings and narrative methods were basically set.Literary historians have also greatly deepened the text interpretation of classical novels.The literary historians represented by Liu Dajie focus on the interpretation of novels from the realistic perspective,while the literary historians represented by Lin Geng interpret novels from the female perspective.
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