南京东晋墓“虎啸山丘”砖画新考——也谈南朝墓葬拼镶砖画高士隐逸题材的另一种渊源  

New Exploration of the "Tiger roaring in hill" in the Tomb of the Eastern Jin Dynasty in Nanjing——Another Origin of the Seclusion Theme of the Scholars in the Brick Mosaic Painting of the Tombs in the Southern Dynasty

作　　者：王煜[1] Wang Yu

机构地区：[1]四川大学考古文博学院

出　　处：《南方文物》2022年第4期169-171,共3页Cultural Relics in Southern China

基　　金：2019年度国家社科基金青年项目“魏晋南北朝陵墓制度新探”(批准号:19CKG011)的阶段性成果之一。

摘　　要：南京东晋墓中出土的“虎啸山丘”砖画不是传统的龙、虎画像题材,而与该时代特别流行的高士隐逸文化有关。从东汉张衡将“虎啸山丘”作为隐逸的比类后,虎啸就与隐逸产生了联系,而魏晋高士文化中流行的啸也与虎啸有着紧密的联系和类比关系。“虎啸山丘”砖画的内涵其实与之后的竹林七贤和荣启期砖画一脉相承,不仅是目前所见最早的拼镶砖画,也是目前所见最早的关于高士隐逸文化的表现。The brick painting of the " tiger roaring in the hill" unearthed from the Eastern Jin Dynasty tomb in Nanjing is not the subject of traditional tiger portraits,but is related to the seclusion culture of hermit that was particularly popular in that era.After the famous works of Zhang Heng in the Eastern Han Dynasty took "tiger roaring in the hill" as the comparison of seclusion," tiger roarin" was associated with seclusion.Moreover,the popular "roaring " in the hermit culture of Wei and Jin Dynasties also had a close relation and analogy with ’tiger roaring".It is not only the earliest Mosaic brick paintings seen at present,but also the earliest expression of the reclusive culture of the hermit.

关 键 词：东晋 砖画 虎啸山丘 高士隐逸 

分 类 号：K879.44[历史地理—考古学及博物馆学] K237.2[历史地理—历史学] K239.1