常玉速写的艺术渊源及创格  

Artistic Originand Creation of Changyu's Sketching

作　　者：徐泳霞[1] 袁平[1] 张燕飞[1] XU Yong-xia;YUAN Ping;ZHANG Yan-fei(School of Arts and Design,Nanjing Institute of Technology,Nanjing 211167,China)

机构地区：[1]南京工程学院艺术与设计学院,江苏南京211167

出　　处：《南京工程学院学报（社会科学版）》2022年第3期64-67,共4页Journal of Nanjing Institute of Technology：Social Science Edition

基　　金：江苏省教育厅哲学社会科学基金项目“巴黎画派的东方因素研究”(2019SJA0404)。

摘　　要：常玉(1901—1966年)在法国求学、生活期间,用速写的手法,创作了大量的纸上水墨、水彩作品。梳理和解读这些作品可以看出,他积极投入西方现代艺术浪潮,探究活跃在巴黎的艺术家们的造型语言和创作规律,而他身体中流淌着的中国传统基因,又使他的艺术有深厚的中国文化传统和美学传统的烙印。他试图用受过中国古典传统训练的手去叩开西方现代艺术的大门,最终形成了充满创造及现代意识的“常玉风格”。During his studies and life in France,Changyu(1901—1966)created a large number of ink and watercolor works on paper using the sketching technique.Combing and interpreting these works,it can be seen that he actively participated in the wave of Western modern art and explored the stylistic language and creative rules of the artists active in Paris,while the traditional Chinese cultural genes running in his bones gave his art a deep imprint of Chinese cultural tradition and aesthetic tradition.He tried to open the door of Western modern art with his classically trained hand,and eventually formed the“Changyu style”,which is full of creativity and modern awareness.

关 键 词：常玉 速写 渊源 创造 

分 类 号：J209.2[艺术—美术]