Calling for a Hero:The Displacement of the Nezha Archetypal Image from Chinese Animated Film Nezha Naohai(1979)to New Gods:Nezha Reborn(2021)  

作　　者：Thomas William Whyke Joaquin Lopez Mugica 

机构地区：[1]Zhejiang University International Business School,Institute of China Studies,Zhejiang University,718 East Haizhou Rd,Haining 314400,Zhejiang,People’s Republic of China [2]Department of Liberal Arts,University of Wenzhou-Kean in China,Wenzhou,People’s Republic of China

出　　处：《Fudan Journal of the Humanities and Social Sciences》2022年第3期389-409,共21页复旦人文社会科学论丛（英文版）

摘　　要：From the classical Chinese literary masterpiece Investiture of the Gods to contemporary flm animation,Nezha’s image is profound.Examining the portrayals of Nezha,namely in those most celebrated animated flms,we argue that his role as the epitome of a‘god like fgure’is in constant displacement and return.Using the framework of archetype and displacement as advanced by Northrop Frye,with a more pluralistic myth analysis extension found in the myth critique of Gilbert Durand,this article examines the multi-layered mythical mini structures within Nezha’s displacement and return in Chinese animation,to explore the themes,images,and archetype represented by the character from the perspective of Chinese history and culture.We argue that Nezha’s displacement and return in Chinese animation expresses the need and call for a traditional heroic image in a particular era.As such,Nezha’s intertextuality exposes the profound inner patterns that form and refashion the Chinese collective unconscious,performing as a recurring mirror that symbolically inform and transform human experiences in China.

关 键 词：Chinese animation Nezha ARCHETYPE DISPLACEMENT RETURN 

分 类 号：J954[艺术—电影电视艺术]