文人士大夫文化在元代的下移——以“岁寒三友”瓷器装饰图案为例  

The Downward Trend of Literati Culture in Yuan Dynasty--Take the Decorative Pattern of"Pine,Bamboo and Plum"Porcelain as an Example

作　　者：何凌珺 He Lingjun(Institute of Chinese Culture and History,Jinan University,Guangzhou 510632)

机构地区：[1]暨南大学中国文化史籍研究所,广东广州510632

出　　处：《陶瓷研究》2022年第4期22-26,共5页Ceramic Studies

摘　　要：“岁寒三友”作为中国古代文人喜爱的一组形象,代表着文人洁身自好,坚韧不拔,不同流合污的高尚品格。北宋时期,这组图案开始出现在文人的诗文绘画中;到了元代,松、竹、梅的形象不仅出现在文人画中,并应用到瓷器装饰中,逐渐形成一种固定的装饰图案出现在人们的生活中。“岁寒三友”瓷器装饰的滥觞,从其文化内涵来看,是元代部分士大夫文化的下移。As a group of images loved by ancient Chinese literati,“the three cold-weather friends--pine,bamboo and plum”represents the noble character of the literati,who are independent,persevering,and different.During the Northern Song Dynasty,this group of patterns began to appear in the poems and paintings of literati;in the Yuan Dynasty,the images of pine,bamboo and plum not only appeared in the paintings of the literati,but also applied to the decoration of porcelain,gradually forming a fixed decorative pattern.appearing in people's lives.From the perspective of its cultural connotation,the origin of the porcelain decoration of"pine,bamboo and plum"is a downward trend in the scholar-bureaucrats culture in the Yuan Dynasty.

关 键 词：岁寒三友 士大夫文化 文化下移 

分 类 号：J527[艺术—艺术设计]