“回头看禁忌”叙事原型论要  

On the Narrative Archetype of the“Taboo of Looking Back”

作　　者：韩晓清 南方 Han Xiaoqing;Nan Fang(Faculty of Chinese Language and Literature,Northwest Minzu University,Lanzhou 730030,China)

机构地区：[1]西北民族大学中国语言文学学部,甘肃兰州730030

出　　处：《西北民族大学学报（哲学社会科学版）》2022年第6期149-157,共9页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：西北民族大学科研创新团队项目“中西比较诗学与文艺思潮研究”。

摘　　要：以俄耳甫斯下冥府救妻失败与罗得之妻化为盐柱为代表的“回头看禁忌”叙事广泛存在于世界各文明的神话中,其叙事原型在后世文学与艺术作品中仍不断焕发生机。“回头看”因留恋过去与僭越界限而成为禁忌,“回头看禁忌”又在被禁忌者的僭越中得以补完。在违禁与受惩的极端处境下,由于不可逆转的命运悲剧和充满诱惑的死亡本能,禁忌叙事的悲剧性被压缩进了违背禁忌“回头看”的瞬间,爱与留恋在违禁存留的记忆中凝固为永恒,在过去与未来的交叠时刻达到美与崇高的顶峰。The story of Orpheus’failed attempt to rescue his wife from the underworld and the transformation of Lot’s wife into a pillar of salt represent the narrative of the“taboo of looking back”that is widespread in the mythology of civilizations around the world,and its narrative archetype continues to be revived in later literature and artworks.“Looking back”becomes a taboo because of the nostalgia for the past and the transgression of boundaries,and the“taboo of looking back”is completed by the transgression of the tabooed.In the extreme situation of violation and punishment,due to the irreversible tragedy of fate and the tempting instinct of death,the tragedy of the taboo narrative is compressed into the moment of“looking back”in violation of the taboo,love and nostalgia are solidified into eternity in the memory left by the violation,reaching the peak of beauty and sublime in the overlapping moment of the past and future.

关 键 词：神话原型 禁忌叙事 “回头看禁忌” 比较神话学 神话重述 

分 类 号：I276[文学—中国文学]