从故宫博物院藏品看清代雕漆工艺特点  

Study on the characteristics of carved lacquer painting technology in Qing Dynasty from the collection of Palace Museum

作　　者：孙晓东[1] Sun Xiaodong

机构地区：[1]闽江学院美术学院,福建福州350108

出　　处：《中国生漆》2022年第3期5-7,13,共4页Journal of Chinese Lacquer

摘　　要：清代雕漆髹饰工艺承继于前朝,并结合自身社会和人文环境的发展,创造出独具特色的工艺风格,尤其是乾隆时期的雕漆集元明雕漆的优点,锐意进取,达到艺臻绝诣的境地,展现了雕工锐利、层次分明、繁密富丽的全新面貌。Carved lacquer painting technology in the Qing Dynasty was inherited from the previous dynasties, and combined with the development of its own social and cultural environment to create a unique craftsmanship style. Especially in the Qianlong period, the carved lacquer painting technology had reached the position of artistic perfection combing with the advantages of Yuan and Ming technique and forging ahead sprit. It has made a new appearance with sharp carve, distinct layers and sumptuously decorated.

关 键 词：清代雕漆 工艺 纹样 

分 类 号：G894[文化科学—体育学] J314.9[艺术—美术] K249[历史地理—历史学]