中国油画的时代精神品格:从个人描绘走向国家叙事  

Pursuits of Chinese Oil Paintings in this Era: from Individual-oriented to Nation-oriented Creation

作　　者：庞茂琨 Pang Maokun

机构地区：[1]中国美协 [2]四川美术学院

出　　处：《美术》2022年第11期64-67,共4页Art Magazine

摘　　要：本文通过对《歌乐春晖》等主题性创作的思考,进一步深刻体会到艺术与历史、现实、文化和社会的内在联系,感受到艺术创作始终要立足时代生活,竭力捕捉最具社会现实性和代表性的一面,要守正创新,铸造中国油画精神品格,感悟时代脉搏,传递时代强音。中国今天生动的现实,促使我们融历史与天地之精华,在吸收消化后生发出新的能量。因此,知识与技能的累积还须在现实的磨砺和精神的碰撞中去获得开悟,也才能品尝到创新的滋味,才能使中国油画在时代精神的表达中焕发新的光彩。This paper analyzes the artwork Chunhui Martyrs Cemetery at the Gele Mountains and other theme-based creations to gain a deeper understanding of the inner connection between art and history, reality, culture and society. It realizes that creation must be life-oriented and be based on reality and representative events, and that artists should make innovations on the basis of tradition, determine pursuits of Chinese oil painting, grasp the trend of the times and send a strong message of the times. China’s national conditions encourage us to integrate the essence of history and the world to generate new energy. Therefore, only when knowledge and techniques are put into practice, can artists make innovations, thus helping Chinese oil painting take on a new look in expressing the call of the times.

关 键 词：庞茂琨 主题性创作 歌乐春晖 中国油画 

分 类 号：J204[艺术—美术]