兼容并蓄 和合共生:“意大利之源——古罗马文明展”中的雕塑艺术  

Inclusiveness and Harmonious Coexistence: Sculptural Art in "Tota Italia: Origins of a Nation"

作　　者：程辰 Cheng Chen

机构地区：[1]广州美术学院雕塑与公共艺术学院

出　　处：《美术》2022年第11期120-126,共7页Art Magazine

摘　　要：希腊文明是罗马文明兴起和发展的主要源头,古罗马人一直以谦虚的态度积极地汲取古希腊许多文明成果。从罗马王国到共和国、再到帝国的政体演进过程中,罗马人始终以兼容并蓄的胸襟和智慧,推动着罗马文化的发展。本文以“意大利之源——古罗马文明展”中的雕塑艺术为例,梳理了自公元前5世纪至公元1世纪初,意大利文明的历史起源与艺术发展。同时也通过对展览的理解凸显中意两国源远流长的古“丝绸之路”友谊和当今“一带一路”建设的历史基础与重大意义。Greek civilization was a major origin in the rising and development of Roman civilization, a process in which ancient Romans drew on the great achievements of ancient Greece with a humble attitude. The Romans have always promoted the development of their own culture with a mindset of inclusiveness, be it during the period of the Roman Kingdom, the Roman Republic or the Roman Empire. This paper,analyzing sculptures in "Tota Italia: Origins of a Nation", discusses the origin and art development of the Italian civilization from the 5th Century BC to the 1st Century AD, and highlights, on the basis of the author’s understanding of the exhibition, the long-standing friendship between China and Italy that can date back to the ancient Silk Road and the historical foundation and significant meaning of today’s One Belt and One Road initiative.

关 键 词：希腊文明 罗马文明 古典雕塑 意大利之源 

分 类 号：J209[艺术—美术]