纳博科夫小说的影像化叙事  

Visualized narrative in Vladimir Nabokov’s novels

作　　者：李寒 LI Han(School of Literature and Economics,Changzhou Open University,Changzhou 213001,China)

机构地区：[1]常州开放大学文经学院,江苏常州213001

出　　处：《江苏理工学院学报》2022年第5期22-27,共6页Journal of Jiangsu University of Technology

基　　金：国家社会科学基金项目“21世纪美国小说的多模态叙事研究”(20BWW036)。

摘　　要：小说创作、电影与绘画使纳博科夫成为一位“视觉艺术大师”。其中,电影不仅成为其生活中的一部分,而且也成为其小说的有机组成部分。其小说在主题、人物、结构抑或写作技巧等方面,皆具有电影元素而呈现出影像化特征,因此,其作品几乎都被改编成了电影。如果说影像化叙事是纳博科夫最重要的叙事策略之一,那么,蒙太奇叙事则成为其最独特的叙事策略和风格特征。影像化叙事是一种跨艺术的多模态叙事,可为视觉文化背景下的纳博科夫研究提供一种新的视角与方法。Novels,movies and paintings make Vladimir Nabokov“a great master of visual art”.Movies are part of his life and part of his novels.The themes,characters,structures or writing skills in his novels,all feature vi-sualization for coupling film elements.So his works have almost been adapted into films.Visualized narrative be-ing one of Vladimir Nabokov’s most important narrative strategies,montage narrative becomes his most unique narrative way and feature.Visualized narrative is one of interdisciplinary multimodal narratives,which may pro-vide a new perspective or method for Nabokov study in the context of visual culture.

关 键 词：纳博科夫 电影元素 影像化叙事 蒙太奇叙事 

分 类 号：I106.4[文学—世界文学]