王世贞与李攀龙的文学交游  

Literatural Association Between Wang Shizhen and Li Panlong

作　　者：贾飞[1] 王慧 Jia Fei;Wang Hui(School of Liberal Arts,Nantong University,Nantong,Jiangsu,226019)

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《语文学刊》2022年第5期93-98,共6页Journal of Language and Literature Studies

基　　金：国家社科基金后期资助项目“王世贞散佚文献整理与研究”(21FZWB035);江苏省社科基金文脉项目“王世贞传”(19WMB008);江苏省研究生科研创新计划“明代台阁与郎署的文学关系研究”(KYCX22_3319)阶段性研究成果。

摘　　要：作为明代历史上位高名重的文坛大家,王世贞身显名扬,交游广泛,另一“后七子”领袖人物,李攀龙主盟文坛二十余年,他们一起倡导文学复古运动。本文通过分析王李两人的文学交游,可知两人文学复古主张的差异性,李攀龙主张存在尺寸古法,王世贞追求性情之作,强调学古的多样性。二人文学交游过程体现了明代复古文学发展的变迁,其中孕育了复古与反复古的因子,共同推动晚明文学流派的演化进程。As a great literary maestro in the Ming Dynasty,Wang Shizhen was well-acquainted,distinguished and highly revered in the literary community.However,his acquaintance with Li Panlong has always been a research gap.As the primary representative of“The Latter Seven Masters”,Li Panlong had been the most influential scholar of the literary circle in Ming Dynasty for over twenty years and advocating a literary movement of Revivalism.This article will try to analyze the acquaintance and association between Wang Shizhen and Li Panlong,reveal the difference of their literary thoughts.Li Panlong advocated the Revivalism in its exact form,whereas Wang Shizhen campaigned for more emotional integration and diversity of approaches.The development of campaign of Revivalism was vividly demonstrated in the correspondence between them,and both advantageous and adverse elements are involved within,which eventually merged into the evolutionary process of literary movement in the late Ming Dynasty.

关 键 词：王世贞 李攀龙 交游 复古 

分 类 号：I207.4[文学—中国文学]