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作 者:黄志立 HUANG Zhi-li
出 处:《北方论丛》2022年第6期177-186,共10页The Northern Forum
基 金:国家社科基金一般项目“明清边疆舆地赋整理与研究”(21BZW113);广州市哲学社会科学发展“十四五”规划2021年度共建课题“岭南赋话整理与研究”(2021GZGJ239)。
摘 要:唐抄本《赋谱》是现存为数不多的唐代赋格类文献之一,旨在为应举士子提供创作律赋的范式与门径。唐代科举始兴,试赋成为场屋取士的主要科目,为适应科考之需,出现一批探索律赋创作技法的论著,抄本《赋谱》正是在这一时风影响下而产生的“教科书”式的赋学指南。《赋谱》依照赋句、赋体、赋题的顺序,将赋文的写作技巧由局部到整体渐次展开。它详赡地阐明了中晚唐赋体的理想形态,代表一个时代赋学批评理论的风貌,并为后人探究唐赋形制的发展提供了范本。Tang handwritten book Fu Pu is one of the few existing Tang Dynasty’s documents, which aims at providing the models and approaches for scholars to create lvfu in imperial examination hall. At the beginning of imperial examination in Tang dynasty, Fu for Examination became the major subject, In order to meet the needs of imperial examination, there appeared a number of works on exploring the techniques of the creation of lvfu, a form of literary style, handwritten Book Fu Pu is just the “textbook” guide to fu study under the influence of this time. According to the order of fu sentence, fu style and fu title, the writing skills of Fu Pu are gradually developed from part to whole. Fu Pu explains the ideal form of fu style in the middle and late Tang dynasty in detail, it represents the style and features of the critical theory of fu study in an era, and provides a model for future generations to explore the development of Tang fu’s categories and styles.
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