从张爱玲作品及形象看民国旗袍特色  

Characteristics of cheongsam in the Republic of China viewed from Zhang Ailing’s works and images

作　　者：李乐馨 刘文[1] 曾茜 Li Lexin;Liu Wen;Zeng Xi(Jiaxing University,Jiaxing 314000,China)

机构地区：[1]嘉兴学院,浙江嘉兴314000

出　　处：《纺织报告》2022年第11期123-125,共3页

基　　金：2021年度国家级大学生创新创业训练项目(202110354056X)。

摘　　要：在民国时期的上海服装界,旗袍占据极其重要的地位。文章选取民国才女张爱玲的部分文学作品,如《沉香屑:第一炉香》《封锁》《童言无忌》《金锁记》《倾城之恋》《半生缘》等,从中分析民国旗袍的特色,包括中西结合的面料、各式各样的款式、包罗万象的色彩、多元风格的图案、丰富多彩的搭配,以期展现民国旗袍的魅力,并为现代旗袍设计提供借鉴。In the clothing industry of Shanghai during the Republic of China, cheongsam played an extremely important role. This paper selects some literary works of Zhang Ailing, a talented woman in the Republic of China, such as Aloeswood Incense: the First Brazier, Sealed Off, Tongyan Wuji, the Golden Cangue, Love in a Fallen City, Half a Lifelong Romance,etc., to analyze the characteristics of the cheongsam in the Republic of China, including the combination of Chinese and Western fabrics, various styles, all inclusive colors, diversified patterns, rich and colorful combinations, in order to show the charm of the cheongsam in the Republic of China, and provide reference for modern cheongsam design.

关 键 词：民国 旗袍 张爱玲作品 服饰 

分 类 号：J523.5[艺术—艺术设计]