Church Music and Atheistic Ideology in the Last Decade of the USSR  

作　　者：Alexander Rosenblatt 

机构地区：[1]Zefat Academic College,Zefat,Israel

出　　处：《Journal of Philosophy Study》2022年第10期544-556,共13页哲学研究（英文版）

摘　　要：Authoritarian societies that follow certain rules in the religious,cultural,and political realms tend to be little tolerant of other views and practices.There is a very revealing research niche for the study of“otherness”in the regulated fields of human activity.Yet,a niche within a niche is a study of historical or,in any case,former practices that come back to life after a gap of many decades.This is the case with church music of the last decade of Soviet history that has returned to artistic practice after a sixty-year ban.The article examines the socio-cultural circumstances that accompanied the creation of a number of works in various church genres written by professional Soviet composers,supported by a brief description of these works.Information about atheistic ideology,cultural doctrine,music management,and church life in the USSR completes the range of topics discussed.

关 键 词：church music church life atheistic ideology USSR Soviet composers music management cultural doctrine 

分 类 号：TN9[电子电信—信息与通信工程]