《格斯尔》史诗新歌手及其文本的互文性  

On New Singers of Geser Epic and the Intertextuality of Their Texts

作　　者：乌·纳钦 W·Naqin(Institute of Ethnic Literature,University of Chinese Academy of Social Sciences,Beijing 102488,China)

机构地区：[1]中国社会科学院民族文学研究所,北京100732

出　　处：《内蒙古民族大学学报（社会科学版）》2022年第4期1-7,F0002,F0003,共9页Journal of Inner Mongolia Minzu University：Social Sciences

基　　金：国家社科基金后期资助暨优秀博士论文项目“巴林《格斯尔》史诗社区传统研究”(项目编号:20FZWB052)。

摘　　要：“培养好传承人,一代一代接下来、传下去”是习近平总书记给包括《格萨(斯)尔》工作者在内的全国非遗工作者提出的时代课题。如何评估前辈传承人与新一代传承人之间实现了“接下来、传下去”的有序传承?聚焦于两代人演述的文本之间的互文性是一个有效的观察途经。通过分析,本文作为个案的新歌手文本在故事主题、情节母题等方面与北京木刻本《格斯尔传》和巴林的前辈歌手口头史诗文本建立了深远的互文性关联,成为传统链条上的“珠子”,实现了一定意义上的传承,符合“接下来、传下去”的要求。“Cultivate the tradition bearers,and promote transmission across generations,”is a research subject of an era that Xi Jinping proposed for all ICH safeguarding including the Geser epic.How to evaluate the transmission of“passing on and handing down”between the older the younger generations?The intertextuality between texts narrated by two generations is an effective perspective to observe.The present paper conducts a case study on a new singer’s text which has a profound intertextuality with Beijing woodblock Geser and the oral texts of former Baarin performers in the aspects of theme,plot and motif,forming a“bead”of the traditional chain,realizing the transmission in a sense,in accord with the requirement of“passing on and handing down”.

关 键 词：《格斯尔》 新歌手 文本 互文性 

分 类 号：I207.9[文学—中国文学]