辽中京大明塔建筑与艺术研究  

Research on Architecture and Art of Daming Pagoda during theLiao and Song Dynasties

作　　者：宋鸽 SONG Ge(College of History and Culture,ChifengUniversity,Chifeng 024000,China)

机构地区：[1]赤峰学院历史文化学院,内蒙古赤峰024000

出　　处：《内蒙古民族大学学报（社会科学版）》2022年第4期18-26,共9页Journal of Inner Mongolia Minzu University：Social Sciences

基　　金：2021年赤峰学院校级青年科研基金项目“赤峰地区辽代砖石塔建筑研究”(项目编号:cfxyqn2021115)的研究成果。

摘　　要：作为辽宋时期存世至今的宗教建筑,辽中京大明塔历经千年仍然矗立于中国北方,其建筑结构和艺术形象具有鲜明的区域历史文化特点,是中国古代优秀的物质文化载体之一。与赤峰地区其他佛塔相比,辽中京大明塔整体建筑结构和艺术造像装饰均保存完好。深入了解辽中京大明塔的建筑艺术形象,可以进一步了解辽宋时期中国北方建筑结构的营建技术和艺术形象的处理方法。解构研究佛塔建筑时,应当逐步分析辽中京大明塔的建筑结构组成和使用的艺术形象,依据所得的相关数据探讨辽中京大明塔各部位呈现的古代建筑信息,以此深化该类型古代建筑的相关研究成果,为以后的修缮工作提供更为完善的数据和理论支撑。As a religious architecture that has existed since the Liao and Song Dynasties,the Daming tower which located in ZhongJing capital of Liao dynasty,was stood at northern China with one thousand years ago,its architectural structure and artistic image have distinct regional of historical and cultural characteristics,and are one of the excellent material and cultural carriers in ancient China.Compared with other Buddhist pagodas in Chifeng area,the overall architectural structure and artistic image decoration of Daming pagoda are well preserved,we can further understand the construction technology and artistic image processing methods of the architectural structure in northern China in the Liao and Song dynasties by deeply understanding the architectural art image of the Damingtower.When studying the deconstruction of the pagoda architecture,we should gradually analyze the architectural structure composition and the artistic image used in the Daming pagoda,and discuss the ancient architectural information displayed in each part of the Daming pagoda according to the obtained relevant data,so as to deepen the relevant research results of this type of ancient architecture and provide more perfect data and theoretical support for the future repair work.

关 键 词：大明塔 古代建筑 建筑结构 艺术形象 

分 类 号：K871.44[历史地理—考古学及博物馆学] K872[历史地理—历史学]