《八旗文经》辞赋作品对赋体文学的继承与新变  

The Inheritance and New Changes of Ci Fu Words of Eight Flags Style to Fu Ti Literature

作　　者：郝青云[1] 金蕊 HAO Qing-yun;JIN Rui(School of Literature and Journalism,Inner Mongolia Minzu University,Tongliao 028043,China)

机构地区：[1]内蒙古民族大学文学与新闻传播学院,内蒙古通辽028000

出　　处：《内蒙古民族大学学报（社会科学版）》2022年第4期49-55,共7页Journal of Inner Mongolia Minzu University：Social Sciences

摘　　要：清代在江山一统的背景下,八旗中的少数民族作家积极学习汉文化,吸收了中华传统文化的精华。《八旗文经》中的辞赋作品继承了前代辞赋写作的传统,比如对骚体赋文体特征、铺陈排比的写作手法、骈偶对仗的句式、华丽堆砌的辞藻等等。同时,也能看到辞赋在八旗作家笔下的新面貌,主要表现在讽喻主题弱化、突出的写实手法、语言词汇的丰富以及主客问答形式的消失。Under the background of the unification of the country and the mountains in the Qing Dynasty,the ethnic minority in Eight Flags Style actively learned the Chinese culture and absorbed the essence of the China traditional culture.The works of the Eight Banners writers inherited the tradition of the previous generation’s prose writing,such as the stylistic features of the Sao Fu,the writing techniques of laying out parallelism,the sentence pattern of antithesis between parallel and couplet,and the gorgeous language.At the same time,we can see the new appearance of Ci Fu in the writings of the Eight Banners writers.In terms of ideological content,it is mianly manifested in the weakening og the allegorical theme,the enrichment of writing space,and the disappearance of the form of subject object question and answer.

关 键 词：《八旗文经》 辞赋 赋体文学 

分 类 号：I207.9[文学—中国文学]