当代中国舞蹈市场化的“来”与“去”  

The Marketization of Contemporary Chinese Dance:Where to Come From and Where to Go

作　　者：张卉[1] Zhang Hui(The Graduate School of Chinese National Academy of Arts)

机构地区：[1]中国艺术研究院艺术管理学

出　　处：《中国舞蹈学》2022年第1期74-85,344,345,共14页CHOREOLOGY IN CHINA

摘　　要：当代中国舞蹈随着中国的革命、建设与改革沉浮起落,印刻着中华民族探索的记忆,也埋藏着人民向往精神愉悦的内在追求。计划经济时代,舞蹈院团享受着国家资金保障、服务于国家政治宣传,舞蹈行业经营模式单一,舞蹈与普通大众的距离可望而不可即。20世纪末,中国转而实行社会主义市场经济,上述现象出现新姿态,随着改革的东风踏上了市场化的道路。这条路势在必行,但充满挑战与未知。本文主要阐述了当代中国舞蹈市场化的必然性、舞蹈创作市场化的现状及就应该走一条怎样的市场化道路问题,提出:走一条具有中国特色社会主义的,兼具社会效益与经济效益双统一的市场道路,并给予相应的建议,为当代中国舞蹈的市场化指明方向。Along with the ups and downs of China’s revolution,construction and reform,the contemporary Chinese dance is engraved with the memory of the Chinese nation’s exploration and the inner pursuit of the people’s yearning for spiritual pleasure.In the era of planned economy,the dance troupe enjoys the national capital guarantee and serves the national political publicity.The business model of the dance industry is very single,and the distance between the dance and the general public cannot be reached.At the end of the 20th century,China turned to the socialist market economy.The above phenomenon showed a new attitude,which embarked on the road of marketisation with the east wind of reform.The road is imperative,but it is challenging and unknown.

关 键 词：中国舞蹈 市场化 道路 社会效益与经济效益 

分 类 号：J70[艺术—舞蹈]