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作 者:艾立中[1] AI Lizhong(School of Chinese Language and Literature,Soochow University,Suzhou 215123,China)
出 处:《苏州教育学院学报》2022年第5期25-30,共6页Journal of Suzhou College of Education
基 金:国家社会科学基金艺术学项目(21BB034)。
摘 要:1917年11月苏州阊门发生了一次新、旧剧团之间的演出纠纷。纠纷产生的直接起因是旧剧团在演出中加入了时装新剧,这种新、旧剧混演的形式直接冲击了新剧团的演出市场。苏州总商会经过协商沟通,解决了此次纠纷。此次纠纷发生的深层次原因是苏州演出市场不发达,有竞争力的戏园不多。新、旧剧混演是新、旧时代转变的一种特殊现象,也反映了当时不少戏剧界人士对新剧和旧剧的艺术本质缺乏深刻的体察。In November 1917,there was a performance dispute between the old and new troupes at Changmen of Suzhou.The direct cause of the dispute was that the old troupes added modern dramas in the performance,and the mixed performance of both new and old dramas directly impacted the performance market of the new troupes.The Suzhou General Chamber of Commerce resolved the dispute through conciliation and communication.The underlying cause of this dispute is that Suzhou’s performance market was underdeveloped,and there were not adequate competitive theaters.The mixed performance of old and new dramas was a special phenomenon during the transformation of the old and new times,which also reflected the lack of a deep insight into the artistic essence of new and old dramas among many theatrical insiders at that time.
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