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作 者:郑世鲜 ZHENG Shixian(Research Institute of Traditional Chinese Operas,Jiangsu Academy of Culture and Arts,Nanjing 210005,China)
机构地区:[1]江苏省文化艺术研究院戏曲研究所,江苏南京210005
出 处:《苏州教育学院学报》2022年第5期39-44,共6页Journal of Suzhou College of Education
基 金:国家社会科学基金重大项目(19ZD05)。
摘 要:吴中地区自古即是文化重镇,明末清初人文犹盛,此一时期,文人的群聚之风也是愈演愈炽,诗会雅集、结社运动开展得轰轰烈烈。而明嘉靖年间昆曲的改良和流播,又为文人们的聚会雅集增添了新的形式,除了氍毹园林之中的戏曲观演,案头上的戏曲合作也蔚为大观,不少戏曲剧本与戏曲理论著作都是文人曲家们切磋交流的产物。Wuzhong has been an important cultural center since the ancient times,and humanity activities flourished particularly during the late Ming and early Qing dynasties.During this period,the literati gatherings became increasingly popular,and the poetry gatherings and the society movements were carried out actively.The improvement and spread of Kunqu Opera during the Jiajing period of the Ming Dynasty added a new form to the literati gatherings.In addition to the performances on stages and in gardens,the operatic cooperation through paper works was also considerable,and quite a number of play scripts and operatic theories were produced as a result of the exchanges between literati and opera artists.
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