《神探大战》:心智游戏电影与港式警匪片的新变  

Detective VS. Sleuths : The Mind-Game Film and the Breakthrough of Cop-Gangster Genre

作　　者：张春晓[1] Zhang Chunxiao

机构地区：[1]苏州大学文学院

出　　处：《电影艺术》2022年第5期72-75,共4页Film Art

摘　　要：韦家辉的《神探大战》继承香港地区警匪片的类型传统,与近年来诸多成功影片共享着若干元素,又在叙事模式和人物关系上体现出原创性。他编剧/导演的作品可被视为埃尔塞瑟的“心智游戏电影”,几部影片的侦探角色均有精神创伤和进入他人心灵的能力,这些因素有效地推动情节发展。在《神探大战》中,主人公与反派角色构成互相包蕴的镜像关系,叙事回溯性地呈现出拓扑嵌套的两种结局,使得电影兼具出色的观赏性和一定的思想深度。Wai Ka-fai’s Detective VS. Sleuths is in the tradition of the Hong Kong region cop-gangster genre, shares some elements with a few recent films, but is also original in its narrative and characters. The film Wai writes and directs can be regarded as Elsaesser’s “mind-game film”, in which the detective has unstable mind and the ability to enter others’ minds. In this film, the protagonist and the villain co-build a mirror relationship, and the narrative retrospectively presents two topological nested endings.

关 键 词：《神探大战》 韦家辉 香港地区警匪片 心智游戏电影 

分 类 号：J905[艺术—电影电视艺术]