当代阿拉伯女导演电影中的女性形象和记忆书写  

Female Images and Memory Writing in Contemporary Arab Women Filmmakers’ Cinemas

作　　者：杨晶 Yang Jing

机构地区：[1]北京大学新闻与传播学院

出　　处：《电影艺术》2022年第5期110-117,共8页Film Art

摘　　要：阿拉伯女导演将拍电影作为追求女性解放的手段,通过“第四电影”消解了男性英雄主义史学,以女性视角来书写阿拉伯女性的历史,讲述她们在战争和革命中的记忆和声音。其电影建构了女性的记忆空间,遗址、墓地、家宅通过“记忆意愿”而成为“记忆之场”,并且,女性角色还挑战了“象征暴力”的家庭空间。女性的身体创伤往往与殖民、父权和宗教压迫相关联,建构了民族寓言和集体记忆。阿拉伯女导演还塑造了打破身体规训的女性形象,形成了另类的抵抗话语。Arab women filmmakers take cinema as means to pursue female emancipation. Through “Fourth Cinema”, they deconstruct the historiography of androcentric heroism and write the history of Arab women from a female perspective, narrating their memories and voices in the war and revolution. Their films construct memory spaces of women. Ruins, cemeteries and domestic spaces become the “Lieux de Mémoire” through “will to remember”. Female characters tend to challenge the “symbolic violence” of domestic spaces. Female physical trauma is related to colonization, patriarchal and religious oppression, constructing the national allegory and collective memory. Arab women filmmakers also create images of women who break the body discipline, thus constituting an alternative form of resistance.

关 键 词：阿拉伯电影 女导演 女性形象 记忆 创伤 

分 类 号：J911[艺术—电影电视艺术]