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作 者:许松[1] XU Song(College of Humanities,Shaanxi University of Technology,Hanzhong 723001,China)
出 处:《西安建筑科技大学学报(社会科学版)》2022年第5期83-89,100,共8页Journal of Xi'an University of Architecture & Technology(Social Science Edition)
摘 要:童庆炳研究《文心雕龙》二十余年,其成就体现在镕冶故美、别启新轨、启发当代文学创作三个方面。他寝馈中国古代文学理论与古典文学作品,常用相关的古代文论与古典文学材料来点活、照亮另一段古代文论材料。他也对现代《文心雕龙》研究成果万取一收,尤其是对徐复观的龙学研究成果推重有加。童庆炳的龙学研究结合了自己独特的气质、性格、学养,形成的新的古代文学理论阐释风格,概而论之,有以下三点:更上高楼望苍茫的学术追求;以西印中以西烛中的中国文化自信;文风平易畅达,传其真亦表其美。童庆炳对当代文学创作有深切的思考,他认为刘勰提出的思想“对于我们今天的文学创造也是具有启发意义”,合观童庆炳与朱光潜、缪钺、徐复观四位先生的针砭之言,可以为新诗的创作困境找到突围口,使古典诗歌创作在新的形式上赓续其金声玉振。Tong Qingbing has studied The Literary Mind and Dragon Carving for more than 20 years.His achievement was threefolds:to learn from previous achievements,to develop modern research methods,and to inspire contemporary literary writing.Drawing on the essence of ancient Chinese literary theories and classical literary works,he frequently employs some relevant parts to interpret another piece of ancient literary theoretical materials.He cited the modern research achievements of The Literary Mind and Dragon Carving,and praised highly Xu Fuguan’s viewpoint.With his unique temperament,character and self-cultivation,Tong’s study forms a new interpretative style of ancient literary theory,that is,the academic pursuit with farsighted view,the confidence in Chinese culture in the comparison between Chinese and western literary theories,a plain and fluent writing style that expounds truth and beauty.Based on his deep thinking on contemporary literary creation,he believes that Liu Xie’s ideas are also enlightening for our literary creation today.It is possible to find a breakthrough for the creation of new poetry and maintain the glory of classical poetry in new styles by studying in depth the literary criticism discourses of Tong Qingbing,Zhu Guangqian,Miu Yue and Xue Fuguan.
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