唐代团窠纹的艺术特征探析及应用  

Artistic Characteristics and Application of Tuanke Pattern in Tang Dynasty

作　　者：祝婉超 袁燕[1] 刘冰冰[1] ZHU Wanchao;YUAN Yan;LIU Bingbing(Sschool of Apparel and Art Design,Xi'an Polytechnic University,Xi'an 710048,China)

机构地区：[1]西安工程大学服装与艺术设计学院,陕西西安710048

出　　处：《纺织科技进展》2022年第11期34-40,共7页Progress in Textile Science & Technology

摘　　要：基于国家大力倡导传承与发展优秀传统文化的背景下,探析唐代团窠纹的艺术特征,从单元图案与整体图案这两个角度对唐代团窠纹做艺术特征探析。单元图案从窠环形式角度出发,总结唐代时期几种不同的窠环形式及发展脉路,从中心图案出发,总结不同的动物纹样特点及其寓意。整体图案角度分析唐代团窠纹的单元结构特征与排列方式特征,单元结构特征整体呈现对称性,排列方式呈现多样性。分析现代服饰中运用唐代团窠纹的表现形式,并对唐代团窠纹元素做再次创新设计,为中国传统图案在现代服饰中的设计应用提供思路借鉴。Based on the background that the state vigorously advocates the inheritance and development of excellent traditional culture,the artistic characteristics of the Tuanke pattern in the Tang Dynasty were analyzed from the perspective of unit pattern and overall pattern.From the perspective of nest ring form,several different nest ring forms and development channels in the Tang Dynasty were summarized.The characteristics and implication of different animal patterns were summarized from the central pattern.From the perspective of overall pattern,the unit structure characteristics and arrangement characteristics of Tuanke pattern in Tang Dynasty were analyzed.The unit structure characteristics were symmetrical as a whole and the arrangement methods were diverse.The expression forms of the Tuanke pattern in the Tang Dynasty in modern clothing were analyzed,and another innovative design for the elements of the Tuanke pattern in the Tang Dynasty was made,so as to provide ideas and reference for the design and application of Chinese traditional patterns in modern clothing.

关 键 词：艺术特征 唐代团窠纹 服饰 文化传承 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程]