德富苏峰《新日本的诗人》的内在旨趣和隐性理路——比较文学视角下的考察  

The Intrinsic Purpose and Hidden Rationale of Tokutomi Sohō’s’The Poets of New Japan’:An Approach in Comparative Literary Perspective

作　　者：曲莉 Qu Li(Beijing Foreign Studies University)

机构地区：[1]北京外国语大学日语学院

出　　处：《日语学习与研究》2022年第5期76-85,共10页Journal of Japanese Language Study and Research

基　　金：2016年度北京市社会科学基金青年项目“德富苏峰译介西方文艺思想对明治日本以及清末中国留日知识分子的影响”(编号:16WXC022)的阶段研究成果。项目负责人:曲莉。

摘　　要：有别于时人对新体诗的格法、用语的讨论,《新日本的诗人》是德富苏峰发表于1888年(明治二十一年)的一篇“诗人”论。本文在对苏峰借用的观点、论断、说辞的来源做进一步查考的基础上,结合文中对传统诗歌所陷入的程式化困境的批判,探讨苏峰以“诗人”论为起点进行“诗”的问题的讨论的内在规定性和启蒙意义。同时,当以苏峰汲取资源的19世纪英美文论的思想关系网络为参照,反观篇首、篇中和篇尾分别提到的“美妙观念”“人生生活的批评”及“日本风云”之关联时,深潜于文本中的一条内在理路就会呈现出来。以此为入口,可以对苏峰“人生生活的批评”话语的意蕴内涵及浪漫主义和现实主义倾向在苏峰的文学思想结构中的关系位置做一些追查和思考。Unlike the contemporary discussion on the form and language of the new style poetry,’The Poets of New Japan’published in the21st year of Meiji(1888)is a viewpoint of"the Poet"written by Tokutomi Sohō.Based on further research on the source of the viewpoints,judgments and reasoning borrowed by Sohōand by analyzing his criticism of the stylized dilemma that traditional poetry was thrown into,this paper discusses,from the perspective of comparative literature,the inherent stipulation and enlightened significance of Sohō’s discussion on the related issues of poetry starting from"the Poet".In the meanwhile,when we review the concepts of"beautiful idea","criticism of life"and"the winds of Japan"mentioned at the beginning,in the middle and at the end,respectively,of the essay while considering the ideological relation network of the British and American literary theories in the 19th century which were referenced by Sohō,an inner logic deeply lurking in the text becomes clear.Starting from this point,we can further research and contemplate the connotation of"criticism of life"discussed by Sohōas well as the relationship between the trends of romanticism and realism in the structure of Sohō’s literary thoughts.

关 键 词：德富苏峰 马修·阿诺德 卡莱尔 爱默生 “诗人”论 

分 类 号：I313.072[文学—其他各国文学]