抽象审美意象下的国家主义文学价值观——《雪国》创作过程研究  

The Nationalist Literary Value of Abstract Aesthetic Images:A Study on the Creative Process of Kawabata’s‘Snow Country’

作　　者：戴松林 Dai Songlin(College of Foreign Language Hunan University)

机构地区：[1]湖南大学外国语学院

出　　处：《日语学习与研究》2022年第5期96-106,共11页Journal of Japanese Language Study and Research

基　　金：2013年度教育部留学回国人员科研启动基金项目“关于日本近代现实主义文学解体的研究”(201322580095)阶段研究成果。项目主持人:戴松林;2020年度湖南省社科基金项目“川端康成文学的民族文化认同研究”(20WLH02)阶段研究成果。项目主持人:戴松林。

摘　　要：《雪国》的研究和鉴赏都有明显的脱离时代背景的抽象审美倾向,甚至连作品创作过程研究也出现了只关注文本本身的变化、忽视引起变化的外因以及变化得以实现的内因的倾向。要深入理解作品诞生的社会历史因缘,使研究摆脱缺乏客观标准的抽象审美认识局限,就必须研究时代背景因素。通过系统追踪作者创作过程中对“缺字”和“文艺恳话会”的认识过程以及为克服纯文学理想与战争意识形态矛盾所做的种种努力发现:影响作品创作进程和最终意义的始终是作者与战争意识形态的关系,支撑作品抽象审美意象的实际上是战争意识形态背后作家的国家主义文学价值观。The research and appreciation of Kawabata Yasunari’s‘Snow Country’have an obvious abstract aesthetic tendency that is divorced from the background of the times.Even the study of the creation process of the works has a tendency to focus only on the changes of the text itself,ignoring the external causes of changes and the internal causes of the realization of the changes.In order to deeply understand the social and historical causes of the birth of the works,and rid the research of the limitations of abstract aesthetic cognition which lack objective standards,we must study the background factors of the times.Through the systematic tracing of the author’s understanding of"missing words"and"Literary and Artistic Sincere Talk Meeting"in the process of creation,as well as his efforts to overcome the contradiction between pure literary ideals and war ideology,it is found that the relationship between the author and the war ideology has always affected the creation process and ultimate significance of the work,and the abstract aesthetic image of the work is actually supported by the author’s nationalist literary values behind the war ideology.

关 键 词：雪国 川端康成 国家主义 战争意识形态 文学价值观 

分 类 号：I313.074[文学—其他各国文学]