从《踏歌》到《只此青绿》:女子群舞编创的再现与表现维度  

From Excursions in Spring to Songs of Green:Dimensionalitiesof Representation and Expression in the Choreographyof Women s Group Dance

作　　者：张蔚[1] ZHANG Wei(Institute of Arts Education,Hangzhou Normal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学艺术教育研究院,浙江杭州311121

出　　处：《美育学刊》2022年第6期42-47,共6页Journal of Aesthetic Education

基　　金：浙江省哲学社会科学规划课题“浙江传统戏曲改编外国剧作研究”(20NDJC173YB)的研究成果;2019年度高层次留学回国人员(团队)在杭创业创新项目的研究成果。

摘　　要：20世纪90年代的中国古典舞《踏歌》和2022年的《只此青绿》都是登上央视春晚的女子群舞体裁,前者是标志中国古典舞体系的经典之作,后者集合了古典舞的特点和现代舞的新意,是近年编创、音乐、视觉等各方面艺术家合作的成功典范。通过比较两部作品创作的文化和艺术源头,重点分析《只此青绿》中舞蹈、音乐等方面编创的艺术特点,可以总结评价其再现与表现的维度和成就。Ta Ge(Excursions in Spring),a Chinese classical dance in 1990s,and Zhi Ci Qing Lv(Songs of Green),a women s group dance in 2022,were both performed live on CCTV Spring Festival Gala.While Ta Ge is a quintessential Chinese classical dance,Zhi Ci Qing Lv integrates the characteristics of classical dance and the dynamics of modern dance,representing a highlight of successful cooperation of artists of choreography,music,vision,and so on in recent years.In this paper,based on the comparison between cultural and artistic sources of the two works and the analysis on Zhi Ci Qing Lv s distinctive features of choreography,music,and etc.,dimensionalities of representation and expression,as well as its artistic achievement are to be concluded.

关 键 词：《踏歌》 《只此青绿》 中国古典舞 现代舞 再现 表现 

分 类 号：J723[艺术—舞蹈]