中国共产党红色电影的演进理路与成功经验  

The Evolutionary Path and Successful Experience of Chinese Communist Party’s Red Movies

作　　者：沈鲁[1] 刘鑫婷 SHEN Lu;LIU Xin-ting(Nanchang University,Nanchang 330031,China)

机构地区：[1]南昌大学新闻与传播学院,江西南昌330031

出　　处：《江西财经大学学报》2022年第5期116-127,共12页Journal of Jiangxi University of Finance and Economics

基　　金：江西省社会科学基金项目“江西电影史料整理研究”(20YS01)。

摘　　要：在电影进入中国的早期,中国共产党就从马克思主义文艺观出发,成功领导“左翼电影运动”,以此形成党的红色电影文化体系并且成为国家电影事业的重要指导方针和重要组成部分。紧随其后的“人民电影”与“主旋律电影”的创作浪潮,书写了当代中国电影的重要篇章。在社会主义事业发展新时期,红色电影传统及其内在发展理路进一步和合共生为代表国家电影工业水准和文化软实力形象的“新主流电影”,将党领导的红色电影事业推向了新的历史与文化高度。中国共产党的红色电影事业之所以不断取得进步,源于始终坚持“人民性”的根本方向不动摇;与时俱进践行马克思主义文艺观;对中国文化经验的深刻认知,对世界文化潮流的敏锐思辨。In the early days of film entering China,the Communist Party of China successfully led the“Left-wing film movement”from the Marxist view of literature and art,thus forming the Party’s red film culture system,which became the important guiding principle and an important part of the national film industry.The subsequent creation waves of“people’s film”and“main theme film”have written important chaptersin the history of contemporary Chinese film.In the new era of the development of the socialist cause,the red film tradition and its inner development path have further coexisted into a“new mainstream film”,representing the national film industry level and the image of cultural soft power,pushing the red film cause led by the Party to a new historical and cultural height.The reason why thered film industry of Chinese Communist Party can make continuous progress is that it has always adhered to the fundamental direction of“serving the people”,practiced Marxist literary view with the times,and enjoyed adeep perception of Chinese cultural experiences and a sharp understanding of the world cultural trend.

关 键 词：红色电影 左翼电影 人民电影 主旋律电影 新主流电影 

分 类 号：D23[政治法律—政治学]