口述与呈现:口述叙事与云南当代版画史研究  

Oral Account and Presentation:Oral narration and the Study of Yunnan Contemporary History of Engraving

作　　者：刘建理[1] LIU Jianli(Editorial Department of Journal,Yunnan Arts University,Kunming,Yunnan,650500)

机构地区：[1]云南艺术学院学报编辑部,云南昆明650500

出　　处：《艺术生活》2022年第2期16-21,共6页Art & Life

基　　金：云南省教育厅2022年度科学研究基金项目“云南当代版画口述史研究”(项目编号:2022J0551)。

摘　　要：现代文化语境下,云南版画的发展与创作面临一系列亟待解决的关键问题。新时代跨学科视阈下口述史为研究云南当代版画的教学与创作带来了诸多新境。口述史方法不仅能丰富和补充研究云南当代版画的史料来源,还能推动云南当代版画理论研究从“作品研究为主”转向“活历史”的考察阶段,其鲜活的素材和多元的叙述方式,将研究者带入到一个被复原和再现的艺术场域。口述史注重底层关怀,所存口述材料既能丰富社会记忆,又能为研究云南当代版画提供全景式、多角度新的研究视野和探索空间。In the context of modern culture, the development and creation of Yunnan engraving are facing a series of key problems to be solved urgently. Oral history from the perspective of interdisciplinary in the new era has brought many new environments for the study of the teaching and creation of contemporary engraving in Yunnan. The method of oral history can not only enrich and supplement the source of historical materials for the study of contemporary engraving in Yunnan, but also promote the theoretical research of contemporary engraving in Yunnan from the investigation stage of “Work research oriented” to “living history”. Its fresh materials and diversified narrative methods bring researchers into an art field that has been restored and reproduced. Oral history pays attention to the bottom solicitude. The oral history can not only enrich the social memory, but also provide a panoramic and multi angle new research vision and exploration space for the study of contemporary engraving in Yunnan.

关 键 词：口述史 个体记忆 集体记忆 云南当代版画 

分 类 号：J209[艺术—美术]