王世性《五岳游草》山水版画的纪游特征——以《楚江》《匡庐》为例  

The Characteristics of the Landscape Engravings for the “Travel Notes of Five Sacred Mountains” by WANG Shixing——Taking “River Chu” and “Lushan Mountain” as Examples

作　　者：廖媛雨[1] 万凤 LIAO Yuanyu;WANG Feng(The College of Fine Arts,Jiangxi Normal University,Nanchang,Jiangxi,330022;College of Foreign Language,Jiangxi Normal University,Nanchang,Jiangxi,330022)

机构地区：[1]江西师范大学美术学院,江西南昌330022 [2]江西师范大学外国语学院,江西南昌330022

出　　处：《艺术生活》2022年第2期22-28,共7页Art & Life

基　　金：2020年江西省文化艺术科学规划一般项目“历代山水图像中的‘桃源’文化研究”的阶段性成果(项目编号:YG2020037)。

摘　　要：本文以天津图书馆藏清刻本王士性《五岳游草》中的《楚江》《匡庐》两张版画插图为例,讨论《五岳游草》的内容与插图版画之间的关系,认为《五岳游草》的插图版画突破了地理学意义上的地图性质,具有山水纪游特征。“River Chu”and “Lushan Mountain”are two Engraving illustrations in “Travel Notes for Five Sacred Mountains”, a book written by WANG Shixing.Taking these two landscape illustrations as examples,this paper discusses the relationship between the written contents and illustrations. In “Travel Notes for Five Sacred Mountains”,and draws the conclusion that the illustrations in the book, have broke through the nature of geographical maps,and possess the characteristics of travel notes.The edition used in this paper is engravings in the Qing Dynasty, collected in Tianjin Library.

关 键 词：王世性 山水版画 纪游 《五岳游草》 《楚江》 《匡庐》 

分 类 号：J227[艺术—美术]