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机构地区:[1]中央美术学院建筑学院
出 处:《建筑与文化》2022年第12期213-215,共3页Architecture & Culture
摘 要:在众多关于赖特建筑作品的学术研究中,对其织理性建构及其后世影响的研究不足。森佩尔建筑四要素中的围合通过编织方法形成,这直接或间接影响到赖特建筑中蕴含的织理性建构意味。文章从赖特与三种文化——日本文化、德国文化、伊斯兰文化的关系出发,佐证赖特与森佩尔理论之间的渊源。其后对赖特织理性建构进行分类分析,通过材料分类得出赖特织理性建构分为木材、混凝土、玻璃材质的三种织理,并解释并分析了其具体处理方法和影响。织理性建构这个建筑观念给后世带来深远的影响,亦对现代建筑如何融合中国传统建筑文化提供了新的方向。In many academic studies on Frank Lloyd Wright's architectural works,there is insufficient research on plaited tectonic and its influence on later generations.The enclosure among the four elements of Gottfried Semper's architecture is formed through the woven method,which directly or indirectly affects the woven rational construction implied in Wright's architecture.Starting from the relationship between Wright and three countries-Japan,Germany and Islamic culture,the paper supports the origins between Wright and Semper's theories.Then it classifies and analyzes Wright's fabric rationality construction.Through the material classification,it is concluded that Wright's fabric rationality construction is divided into three fabrics of wood,concrete and glass,explains its specific treatment methods and influence.The architectural concept of rational construction not only has a far-reaching impact on future generations,but also provides a new direction for modern architecture to integrate Chinese traditional architectural culture.
关 键 词:织理性建构 弗兰克·劳埃德·赖特 编织
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